Free Ebook The Complete Peanuts Volume 4: 1957-1958, by Charles M. Schulz
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The Complete Peanuts Volume 4: 1957-1958, by Charles M. Schulz
Free Ebook The Complete Peanuts Volume 4: 1957-1958, by Charles M. Schulz
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Amazon.com Review
In the fourth volume in Fantagraphics Books' Complete Peanuts series, Snoopy continues to develop as a character, and the worm--Linus--turns against his fussbudget sister, Lucy. Sure, she's still a fierce intimidator of her little brother and Charlie Brown, but he's learned to strike back with a deft pair of pliers, a huge sand castle or snow dinosaur, or merely the will to walk up and change the channel. Lucy also continues her pursuit of the oblivious musician, Schroeder (contrary to the advice of Dear Agnes). Snoopy continues his impersonations (vulture, penguin, etc.), plays baseball and football, angsts over being called "fuzzy-face or "dime a dozen," and dances gleefully on Schroeder's piano. Charlie Brown, of course, has very little glee, especially when he has to manage a dysfunctional baseball team that only wins if he's sick or when the championship is riding on his catching a simple pop fly. But at least he has his pencil pal. Charles M. Schulz by this time was comfortably in his routine of multi-day stories, and there's a bit of foreshadowing when Schroeder, wildly inventing names of imaginary pianists, comes up with "Joseph Schlabotnik," which would later become the name of CB's baseball hero. The volume has an introduction by author Jonathan Franzen and a Sunday strip from May 3, 1953, which was discovered after the 1953-54 volume was printed. --David Horiuchi
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From Publishers Weekly
Starred Review. In this fourth volume of Fantagraphics' wildly successful chronological reprinting of Peanuts, the comic strip begins to slide into its most popular form. In these pages, Snoopy is becoming most Snoopy-like, with a wondrously funny vulture sequence; Charlie Brown is hapless and often hopeless while his war with Lucy moves into high gear, and of course Pig-Pen, Patty, and Schroeder are all kicking around. Schulz evolved his characters from week to week, letting their idiosyncratic musings, pratfalls and jokes accumulate. It's possible to flip back a few dozen pages and understand Charlie Brown's emotional evolution. The humanity of both the characters and their creator is the subject of Jonathan Franzen's insightful introduction—certainly the best yet published in the series. Deftly putting to rest the rather trendy theory that Schulz's inner torment gave vent to the psychological dramas in Peanuts, Franzen convincingly makes the case that Schulz was able to accomplish what he did because of a surfeit of love and family. After one has read these pages, full of well-rounded, humane characters, Franzen's theory seems just about right: to create characters so essential and so loveable, Schulz could only have emerged from just such a milieu. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Product details
Series: The Complete Peanuts
Hardcover: 344 pages
Publisher: Fantagraphics Books; First Edition edition (February 9, 2016)
Language: English
ISBN-10: 1560976705
ISBN-13: 978-1560976707
Product Dimensions:
6.7 x 1.3 x 8.4 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
840 customer reviews
Amazon Best Sellers Rank:
#231,304 in Books (See Top 100 in Books)
One of my Christmas presents, and I'm definitely getting more.The 1967-1968 set was quite familiar to me, but 1969-1970 wasn't. Clearly, the first two years were well represented in the Treasuries I used to get from my library.Definitely buying more, as I only have 1950-1952.One of my favorite strips ever.
I just received this set yesterday and it is just as sturdy as the others. I can't believe my collection is almost complete. This is a great collection for all fans of the strip and I, for one, am proud to own them. Beautifully done as always.Now for the good part. Fans of the collection have been curious as to what is going to happen with the final volume. Will it have a case or not? A few months ago I contacted the publishers about this and was told that there will indeed be a 26th volume and final box set next year. However, there has been no official word yet from the publishers so this morning I contacted again concerning the same matter and was told once again that there will be a 26th volume. This time I was given a bit more info as well. Here was there response:(Cut and pasted)Due to collector demands we're publishing a 26th volume of material yet to be determined and there will be a boxed set for 25 & 26 at the end of 2016.Our pr dept. gave me this bit of information that will be apart of promotion starting next year. "Complete Peanuts fans: although the strip has been collected, we have one more volume up our sleeve for next fall, collecting a treasure trove of Schulz rarities, from his initial Peanuts pitch packet, to several comic book stories, advertising art, two major, never-before published interviews, and many other surprises!"
This Peanuts collection, 1963-1964, stands out. The strip suffered from overexposure beginning about ten years later. It was probably on nearly every bulletin board in every grade school in the country. In that time, it was mainly the very sentimentalized excerpts featuring a sweet saccharine world, and it is still close to that today. Too bad, as it leaves out the sharper and wittier world of the characters. The 1964 Sunday proclaims, "Happiness is winning an argument with your sister," so when Lucy argues that Linus will get great satisfaction from kicking apart a snow-Lucy he had made, he says "On the contrary! That would be crude. I'm just going to stand here and watch it slowly melt away!" In other places, Lucy makes her patented temper humorous and even wise when she claims,"There's nothing like a little physical pain to take your mind off your emotional problems." Sunday strips then were more widely read, so when Charley Brown lamented twice in one Sunday, "There's a dreariness in the air that depresses me," many people laughed but nodded their heads. But perhaps Sally displays the most existential angst when after crying out loud on a Sunday, she explains, "I was jumping rope....Everything was all right...when...Suddenly it all felt so futile!" On a side note, I find that reading just a couple pages a day works best with strip reprints. They were intended by their creators to be read a little at a time. In any case, this volume of Fantagraphics' great series is a special, truthful one.
Well, a little disappointed as I thought this was the FINAL volume in the series, but then I read the word "penultimate" on the bookjacket and after a little research discovered there will one more book in the series (Vol. 26) that collects rarities, demo strips and other non-strip related Peanuts art. That being said, it's a little bittersweet to have completed the entire strip in collection -- minus one missing strip from 1957 I believe that was not in the archive and no one has been able to find a copy (to the best of my knowledge - the publisher of this series said they would be publish it in a future volume if it was ever found). But this is still a fitting end (almost). My only quibble with this release concerns the final Sunday panel that was published 9 hours after Schulz's passing. In the original color strip, there are (I assume) digitally imposed images of past scenes in the blank space above Snoopy's (read: Schulz's) final typed words. I know this because I saved the strip from my copy of that Sunday paper. I also still get misty-eyed and the lump forms in my throat when I read that final strip and those words in bold typeface: "Dear Friends...Truth be told, I bawled like a baby after reading it initially over 16 years ago, especially after learning Schulz had died the night before. In fact, Charles Schulz is one of the three "celebrity" deaths I have ever cried over as if I lost a member of my own family. Fred Rogers and Dick Clark are the other two. Perhaps there was some subconscious "avuncular" association I had with these 3 individuals - like they were the favorite old uncles who were nonthreatening and wise in their own ways. Mr. Rogers was, of course, a major part of my early childhood along with Sesame Street and the Electric Company (even though admittedly some of his stuff seems pretty sappy looking back with adult hindsight but I still think he genuinely cared about children and their feelings), and Dick Clark helped to inform me of rock and popular music as I came of musical age in the late 70's/early 80's via American Bandstand, and countless Rockin' New Year Eves. I am of the firm belief that one establishes his/her musical tastes during their tween years and I happened to enter that during the Punk/New Wave explosion (and I still like the music from that era - not the crap it mutated into by 1985 - by then I was well on my way to what would soon be called alternative/college radio music).However, throughout my childhood and into my adult life, the one constant by was Charles Schulz and Peanuts, either via the daily comic strip or the TV specials (which still continue to air on Broadcast Television), the books, the greeting cards, the stuffed Snoopys, the Christmas ornaments, even the Met Life commercials. So thanks to Fantagraphics and the Schulz family for archiving and allowing this collection to be made available to the public. I look forward to purchasing the FINAL volume in October and then my collection will be more or less complete!
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